Comparison Of Nights Of Cabiria And La Dolce Vita

Nights of Cabiria and La dolce Vita left me suddenly stunned, in awe of what I had just witnessed. I launch both of these films to be unspeakably beautiful, an in my opinion, the best of the films weve attend ton frankincense far. twain films are unco Fellini.\n\nIn La dolce Vita, we are given a glimpse of a movie maker that has moved far neo-realist roots. turn Nights Of Cabiria was certainly a difference of opinion from neo-realism, (and far less neo-realist than La Strada, which was just one run across before this one) it certainly had many an(prenominal) to a greater extent neo-realist elements (the plight of the execrable and oppressed) than La Dolce Vita. La Dolce Vita would introduce us to a world closely never considered before in Fellinis films, that of the bourgeois, or upper-class. A film following a protagonist from ships company to party among the rich is practically a slap in the demo to the neorealist movement Therefore it is a great deal said that Nigh ts of Cabiria marks the destination of the first phase of his occupational group and La Dolce Vita the starting of the next. I prefer to see his films as a continuous visual timeline of Fellinis exquisite growth.\n\nBoth La Dolce Vita and Nights of Cabiria unfold in an episodic manner. While Nights Of Cabiria has a tighter, more traditional narrative structure, La Dolce Vita is practically a series of short films. The compounding of these scenes is what leads to the complexity of the films message. When it is asked of us, What are these films about(predicate)? in that respect really is no well-heeled answer because they are about so much. Each passing episode carries a message of its own that adds to the overall nub of the picture.\n\nBoth films contain the exemplary Fellini clowns, ethnic performers, false appearances of the new Mary, as well as other religious symbolism, nightclubs, prostitutes, rock candy houses by the sea, processions, and scaffolding outline agai nst the dawn. These may be symbolical or merely in-person touches from his imagination.\n\nI feel that it is needful to discuss the visual aspects of these films. Both films are a considerable leap, cinematically speaking, from his other films. Before Nights of Cabiria, precise attention had been paid to the cinematic, or visual aspect of Fellinis films. In Nights of Cabiria, Fellini...If you want to select a full essay, send it on our website:

Buy Essay NOW and get 15% DISCOUNT for first order. Only Best Essay Writers and excellent support 24/7!